Post Break
A weekly series produced by the PNYA's Education Committee that explores post production in New York State. Each week, a different topic will be discussed with a variety of professionals from facilities and post production teams.
For more information about how to join the Post New York Alliance or to be notified about future Post Break episodes, please email us at membership@postnewyork.org
How do independent films handle the post-production process? A panel of people from throughout the production and post sides share how they've planned, budgeted, funded, innovated, and straight-up hustled to make their vision a reality. They'll share their challenges and victories, working on projects with limited budgets but big imaginations, as well as how they've adapted during a pandemic.
Panelists: Jane Schoenbrun
Jane (they/she) is a non-binary filmmaker whose first narrative feature We're All Going to the World's Fair premiered in the NEXT section at the 2021 Sundance Film Festival. The film recently played at the 50th annual New Directors/New Films, and will be released in theaters by Utopia Pictures and available for streaming via HBOMax. Jane's previous projects include co-creating the touring variety series The Eyeslicer (Tribeca 2017), creating the Radical Film Fair (a film flea market and mentorship event that drew thousands of attendees), directing the feature documentary A Self-Induced Hallucination (Rotterdam 2019), producing Aaron Schimberg’s Chained for Life (Kino Lorber 2019), EPing season one of Terence Nance’s Random Acts of Flyness (HBO 2018), and creating the omnibus ‘dream film’ collective:unconscious (SXSW 2016). Jane sometimes publishes the column “Continue Watching” for FILMMAKER Magazine, and has previously worked as the Senior Film Lead at Kickstarter and as the Associate Director of Programming at IFP.
Maya Mumma, ACE
Maya was an editor on the Academy Award winning documentary O.J.: Made in America for which she was honored with a Best Editing award from the LA Film Critics Association, an ACE Eddie, and a Primetime Emmy. She began her career in the edit room of the Academy Award nominated documentary Restrepo, which won the Grand Jury Prize at the 2010 Sundance Film Festival. She has gone on to edit films such as Which Way Is the Front Line From Here, Whoopi Goldberg Presents Moms Mabley, Mr. Dynamite: The Rise of James Brown, and A Journey of a Thousand Miles: Peacekeepers. Most recently Maya edited the Emmy winning King in the Wilderness and edited and produced the Emmy and Peabody award winning True Justice: Bryan Stevenson’s Fight for Equality.
Sal Malfitano
Sal has had a lifelong passion and appreciation for beautiful images, be it painting, still photography, or cinema. He has held a constant curiosity about the aesthetic trends in color imagery and about the process and science behind it all. Sal has collaborated with filmmakers and artists to perfect the imagery of films such as the indie hit Heaven Knows What, Lovesong, and Showtime’s Prison Fighters: Five Rounds To Freedom. As well as Drunk Bus, which releases soon. He has also delivered music videos for The Strokes, The National, and Lady Gaga, as well as campaigns for IBM, Sherwin Williams, Tiffany, Ford, Verizon, and Reebok.
Sal enjoys cooking (he'll share a recipe or two - just ask him), music, and spending time with his family. He’s also a bit of a whiskey connoisseur, having founded the Nice Shoes Whiskey Club almost immediately after joining the studio.
Moderator:
Caryn Coleman
Caryn is a New York-based film programmer whose work is focused on gender parity in independent film. She's the founder of The Future of Film is Female - an organization that amplifies the work of all women filmmakers through a short film fund, commitment to exhibition, and community building programs - that is also an ongoing screening series at the Museum of Modern Art. She's a longtime programmer at Nitehawk Cinema, having been the Director of Programming/Special Projects, and is the Director of the annual Nitehawk Shorts Festival. Coleman received the 2012 Creative Capital/Warhol Foundation Art Writers Initiative grant and has organized panels for the Art House Convergence, Nightstream, Athena Film Festival, Connective Conversations for the Ford Foundation, and CAA. She is a short film advocate, a horror film lover, and Delphine Seyrig superfan.
AmPost-production is by nature entrepreneurial. The majority of our community is made up of freelancers and employees of small businesses who work on productions that are themselves small corporations that close once the show or film is distributed. Hear from these companies about how they got started and found success. Part II. To watch part I: CLICK HERE
Panelists:
Founded in 2019, Harriet and Rosen ADR (HR Casting) is an entertainment company headquartered in NYC that brings an innovative and exciting perspective to ADR (Audio Dialogue Replacement), Loop Group, and Voice Casting.
HR Casting provides the voice acting services productions need to help a project reach its full potential. We work with top agents in the industry and have a diverse talent base of authentic, multifaceted, and bilingual actors that help bring any project to life through sound.
HR Casting founders, Sienna Jeffries and Cherelle Cargill are SAG/AFTRA actresses with approximately 20+ years of acting experience in commercials, TV & Film, theater, and ADR. Below are some of the projects that Cherelle and Sienna have been featured in: ADR - Ocean’s Eight, Girl’s Trip, HBO’s The Immortal Life of Henrietta Lacks, Blue Bloods, The Marvelous Mrs. Maisel, and The Unbreakable Kimmy Schmidt.
Sienna and Cherelle’s Loop Group experiences as actresses prompted them to establish their own company to contribute their considerable talents and expertise to the voiceover industry. HR Casting hires talent that can add the necessary sound texture to a project to help an audience visualize each scene as if they were there. If we see it, we should hear it too. We strive to find talent that most closely portrays a visual. We’re big on going after the “real thing” with “real people”. Some of the Film/TV productions that HR Casting recently worked on include: Timmy Failure, Project Power, The Glorias, Ma Rainey’s Black Bottom, Judas and The Black Messiah, and Mosquito Coast Season 1. —————- Fun fact about Sienna: Valedictorian of her graduating college class, she got her acting start as a recurring character on Sesame Street: Elmo’s World when she was 6 years old! Fun fact about Cherelle: She’s an NYU Tisch School of the Arts graduate, award-winning producer, devoted wife, and mom of three.
Award-winning sound designer, mixer, and supervising sound editor, Bob Pomann, has a long history of over 40 years in the audio post-production business. Throughout his career, he’s been creating innovative sound design and directing talent for voice records, loop groups, and ADR. His vast range of experience includes work with animation, feature films, television, radio and TV commercials, videogames, and virtual reality mediums.
With young aspirations to be a film director, he discovered the power of telling stories through sound. Early jobs doing sound design for movie trailers and radio spots led to sound design for the original SNL shorts and radio shows for National Lampoon. After five years at various facilities, Bob launched Pomann Sound at 2 West 46th Street in 1984, growing the company into one of NY’s leading audio facilities servicing filmmakers, producers, and ad agencies.
Pomann Sound has recorded, mixed, and sound designed the Emmy award-winning shows “Doug”, “Little Einsteins” and “Little Bill.”
Other films and tv credits include “Blind”- Amazon, “An Imperfect Murder”-Netflix, “Walking Dead”- AMC, “ Madame Secretary”- CBS, ”Life After Lock Up- WE tv, “90 Day Fiancé”- TLC, and ”Star Wars The Old Republic” videogames. In all these projects, his focus on sonic story-telling, finding innovative creative and technical solutions, and collaboration have distinguished his career.
In the last year during the pandemic, Pomann Sound did over 100 unscripted tv episodes and over 150 commercials, documentaries, and branded films. They also recorded over 200 different actors at home remotely. Pomann Sound is currently doing most of Warner Brothers Animation’s remote records. Bob’s most recent upcoming project is the sound supervisor for an animated series for Apple in Sept which Pomann sound is designing and Post Works is mixing.
Moderator:
Chris Peterson, Board Secretary / Executive Board Member, PNYA and Executive Producer Chris Peterson has worked as an Executive Producer and media technologist at post-production facilities, VFX shops, sound/music houses, and systems integrators. His credits include Hereditary, Absentia (Sony/Amazon), Women of Troy (HBO), and Roger Waters’ concert tours and films. Prior to that, he was a producer/videographer/editor for the Howard Stern Show and on location for cable series in Brazil, Argentina, Trinidad, and around the United States. He is the host of the PNYA’s popular webinar series “Post Break,” which has been providing timely, post-Covid information and community for the post-production industry since April of 2020.
On April 22nd, top Feature Film and Episodic Color Scientists Matthew Tomlinson and Joachim Zell joined the PNYA’s Post Break panel to explain what ‘Imaging Science’ is and the important role it plays on every production from set to screen. New York Post Supervisor, Justin Scutieri moderated.
The session explored: • How color scientists work with colorists and clients from DPs and directors, to editors, editorial teams and VFX vendors. • How color science affects dailies color and picture editorial. • How picture editorial teams leverage imaging scientists to ensure everyone is looking at the same picture. • Why color science is important, especially in remote times and how that process works remotely.
Panelists: MATTHEW TOMLINSON, IMAGING SCIENTIST With over 25 years of experience, Matthew Tomlinson is currently the Color Scientist at Harbor where he services projects by ensuring color consistency from pre-production through final color as well as creative look development. Prior to joining Harbor, he held Imaging Science positions at SHED, EFILM, Tippett Studios, P.O.P and Bossfilm where he worked on projects including “Suicide Squad”, “Skyfall”, “The Avengers”, “Matrix: Revolutions” and “Air Force One”. His recent credits include Quentin Tarantino’s “Once Upon a Time and Hollywood”, Louis Leterrier’s “Dark Crystal: Age of Resistance”, Martin Scorsese’s “The Irishman”, Chloe Zhao’s “Nomadland,” and Emerald Fennell’s “Promising Young Woman.” Matthew is an Associate Member of American Society of Cinematographers (ASC) and a member of the Visual Effects Society (VES).
JOACHIM ZELL, IMAGING SCIENTIST Joachim Zell is a consultant on production and post-production workflows, ACES and Imaging Science. For 12 years he served as VP of Technology and Imaging Science at EFILM/Deluxe, where he designed and monitored production workflows from onset production to the movie release. Previously he was VP of Advanced Technology at Technicolor Thomson in Burbank and before that he was Marketing Manager Americas at Grass Valley Thomson. During his time in London Joachim worked as Product Manager digital film systems for Pandora Int. He supports SMPTE as Hollywood Section Manager and serves on the ASC Motion Imaging Technology Council DI team that defined the ASC CDL standard and acts as Co-Chair of the MITC Next-Generation Cinema Display committee. He holds the position of ACES Project Vice Chair at the Academy of Motion Picture Arts and Science. Joachim is an associated member of the American Society of Cinematographers. In February 2020 Joachim became a board member of the HPA. Joachim holds a master’s degree in Film and Television Engineering and was co-writer on 4x image processing patents.
Moderator: JUSTIN SCUTIERI, POST SUPERVISOR Justin Scutieri is a New York-Based Post Production Supervisor. His recent credits include The Girlfriend Experience (STARZ), Succession (HBO), The Mosquito Coast (Apple TV), and his upcoming project The Staircase (HBO).
Attached please also find a cheat sheet and resource list!
This week’s post break explored the relationship between the editor and their assistant, how they work together, and how each role supports the other. In honor of Women’s History Month, hear from two female editor and assistant editor teams about their work together. The panel featured Agnès Challe-Grandits and her assistant, Tracy Nayer, and Shelby Siegel, and her assistant, Jiye Kim.
Panelists:
Agnes Grandits, Editor Agnès Grandits is a film and television editor with decades of experience in the US film industry working with legendary writers, directors, and performers on award-winning box office hits and groundbreaking television.
Last December, Agnès edited the pilot for "Single Drunk Female," a half-hour comedy for Freeform that was just picked up for series, based on Simone Finch’s authentic stories, executive produced by Girls’ Jenni Konner and Good Girls’ Phil Traill, with Russian Doll’s Leslye Headland directing the pilot.
As a television editor, Agnès has worked primarily on both half-hour comedies and one-hour dramas with credits on P. Valley and SweetBitter for STARZ, Divorce for HBO, Odd Mom Out for Bravo, and The Breaks for VH1. She has worked for Showtime onThe Affair and Nurse Jackie. In addition, she edited The Jim Gaffigan Show for TV Land, Gracepoint for Fox, an episode on the final season of Bored to Death for HBO, and 100 Centre Street, directed by Sydney Lumet for A&E. For HBO, she also worked on Sex and the City and The Wire.
Originally starting as a film apprentice and working her way up through assistant to editor, Agnès worked for directors such as Nora Ephron on Sleepless in Seattle (TriStar Pictures), Norman René on Prelude to a Kiss, Jerry Zucker on Ghost (Paramount), Alan Pakula on Pelican Brief (20th Century Fox), Robert Altman on Ready to Wear, Tim Robbins on Dead Man Walking and John Turturro on Romance and Cigarettes (United Artists).
Fully binational and bicultural, Agnès is a native of Lyon, France. On her frequent visits home, she lectures and gives Master Classes at La Cinéfabrique, a highly selective, innovative state-run film school that focuses on bringing inclusive, international voices into the industry.
Agnès lives in Brooklyn with her two daughters and husband, the painter Sean Grandits.
Tracy Nayer, Assistant Editor
Tracy Nayer has been working as an Assistant Editor for over ten years. She started her career working in finishing for a large post facility. She now works predominately on union scripted television. She’s been assisting Agnès Grandits for five years.
JiYe Kim, Assistant Editor
JiYe Kim began her career in experimental films, working with Anita Thacher and Barbara Hammer. She started assistant work on Alphago (2017). Her most recent editorial credits include High Maintenance, The Deuce, Her Smell, and Share.
Shelby Siegel, Editor
Shelby Siegel is an Emmy award-winning film and television editor that has been working in New York for over twenty years. She began her career with some of the industry’s top directors: Paul Haggis (In the Valley of Elah), Mike Nichols (Charlie Wilson’s War), and Ang Lee on his Oscar-winning films, Crouching Tiger, Hidden Dragon, and Brokeback Mountain. In addition, Shelby worked on the critically acclaimed series The Wire.
After The Wire, she worked as an editor on Andrew Jarecki’s Capturing the Friedmans (DVD) and All Good Things, Jonathan Caouette‘s Tarnation, Gary Hustwit’s Helvetica, and Urbanized. Other projects include Jared Leto’s Artifact (Supervising Editor) and Zach Heinserling’s Oscar-nominated documentary Cutie & The Boxer (Consulting Editor). She won both an Emmy and ACE award for her work on the acclaimed HBO six-part series The Jinx: The Life and Deaths of Robert Durst. Most recently Shelby edited episodes of Quantico (ABC), High Maintenance (HBO), and The Deuce (HBO).
Moderator:
Claire Shanley, Post Producer Claire Shanley is a Post Producer whose recent projects include “The Plot Against America” and “The Deuce”. Her background also includes post facility & technical management roles, among them Managing Director for Sixteen19, Technical Director for Broadway Video, and others. She Co-Chairs the Board of Directors of the NYC LGBT Center and serves on the Advisory Board of NYWIFT (NY Women in Film & Television).
PPP Loans For Freelancers And Production Companies
In this week's Post Break, we offered advice on how independent contractors and post-production companies can get help through the Small Business Administration’s Paycheck Protection Plan (PPP). A panel of business owners and financial experts will discuss who’s eligible, how to apply and how to seek forgiveness for loans from the program, part of the federal government’s pandemic relief measures.
Begun last year, the SBA’s PPP program provides loans to businesses to keep their workforces employed during the Covid crisis. The current round of loans, which ends March 31, is designed to favor the smallest businesses, those with fewer than 20 employees, and independent contractors. Qualifiers can get loans to cover payroll and related costs and may be eligible for loan forgiveness. Panelists will share their experiences with the program and offer tips on how to get help.
Thursday, March 11th at 4 pm EST via Zoom
Panelists:
Andrew Bly (CEO, The Molecule VFX) Andrew co-founded The Molecule in 2005. His many credits include Unbreakable Kimmy Schmidt (Netflix), Billions (Showtime), Dickinson (Apple), Da 5 Bloods (Netflix), The Plot Against America (HBO) and Five Feet Apart (Lionsgate). An active member of the visual effects and post-production communities, he has served as a board member of Post New York Alliance and Chair of the New York chapter of the Visual Effects Society. He has worked with lawmakers, nonprofits and other parties in New York and Los Angeles on behalf of the industry and working artists.
Steven Zelin (Managing Member, Zelin & Associates CPA) Steven who is known as the Singing CPA, leads a firm that provides specialized financial services, including bookkeeping and tax preparation, to artists, musicians and others in creative businesses. He is also an independent singer/songwriter who has been featured in the New York Times, ABC Nightline, CBS News, The New York Daily News, and the Wall Street Journal.
Mike Noble (Owner/Producer/Editor, Lost Creek Creative, LLC) Mike leads a creative hub that provides content and services to Discovery Channel, Science Channel, Animal Planet, Syfy Channel, USA Network, TV One, History Channel, Lifetime and more. He began his career in Washington, DC as a documentary film editor and associate producer with credits including Tesla: Master of Lightning and Korean War Stories with Walter Cronkite. At Discovery Communications, he was supervising editor for numerous series. He also served as supervisor of Discovery’s Production Center.
Moderator: Carl Marxer Carl is a freelance picture editor with clients including Gigantic Pictures, Buttons Studio, Hearst and other independent producers in the New York City area. He has worked for Vice Media, Meredith, and CNN. Marxer recently finished Vamik’s Room, a documentary that profile five-time Nobel Prize nominee Vamik Voltan, a psychologist specializing in international conflict resolution. The film has been screened at the Montreal Film Festival, New Haven Documentary Film Festival and the Global Health Film Festival.
Leveraging Your Career: Personal Branding and Social Media
In the "Virtual Age," where remote work has grown 44% over the last year, industry whispers discuss a workforce reimagined by 2025. NY Post Alliance has partnered with Leaders of various sectors to open a discussion centered around personal branding, social media engagement, and how it can leverage your career. Hear from individual branding leaders to discuss unique branding strategy do's/dont's. Learn how to target your audience and get noticed by employers.
We encourage attendees to tag and use the hashtags below on NY Post Alliance Facebook, Linkedin, Twitter, and Instagram. #BrandingNYPost #NYPostVirtualYou
Thursday, February 25th at 4 pm EST via Zoom
Panelists: Emily Miethner Emily Miethner is passionate about empowering people to achieve their goals, which she does as the Founder and CEO of FindSpark, MCG Social, an adjunct professor, and an award-winning professional speaker. Through FindSpark, a community dedicated to setting up young pros for career success, Miethner has produced more than 250 educational career programs and campaigns. She has cultivated an active digital and in-person community of over 30,000 students
and young professionals and top employers including NBCUniversal, Yelp, L'Oreal, Grey, Bustle, and IPG Mediabrands — inspiring career optimism in diverse young professionals around the world with actionable, career-changing tips and resources.
MCG Social, the consulting branch of FindSpark, provides community management, event production, and millennial expertise to agencies and brands. Their clients include Elizabeth Arden, Trojan, NBCUniversal, IFC, and FirstMark Capital.
Emily can be found at events, conferences, and universities, leading talks and workshops about personal branding, internships, social media, and networking. She's been a featured speaker at The International Youth Leaders Assembly at The United Nations, SXSW Interactive, Lean In NYC, Internet Week, Time Inc, Columbia University, Princeton University, and New York University, among others. A sought-out millennial expert and thought leader, Miethner has been featured in The New York Times, VICE, Fast Company, Wall Street Journal, SELF Magazine, GLAMOUR, and on Good Morning America.
As an Adjunct Professor since 2014, Emily teaches career and social media skills to a range of students at the School of Visual Arts and Fashion Institute of Technology and has her certificate in Diversity & Inclusion from Cornell University.
Emily is also a Board Member of Techies Give Back and a member of the Hofstra University Women in Leadership Alumni Association. Dr. Nicole C. Scott, SPHR, CPC, ACC Using a strengths-oriented approach, Dr. Nicole C. Scott is a strategic integrator of individual talents into cohesive, high performing teams with values greater than the sum of their parts. Her personal mission statement is “To help others pursue their passions, so they too can live a life fulfilled.”
With a passion for creating well-being, Dr. Nicole C. Scott has served communities across the United States for over 20 years. Through her work in education reform, leader training/development, and workforce development, she has contributed to building capacity for more equitable access to career and financial well-being for under-resourced communities and community members. She continues to serve local Pittsburgh communities, as well as international communities. Her current work is focused on driving employee engagement through equity and inclusion through the design and implementation of internal workforce development programming and community outreach within a large international logistics company, customized leader development solutions for small businesses and non-profits, and sharing of thought leadership on coaching and leading high performing teams. Dr. Scott’s Strengths: Individualization, Strategy, Connectedness, Learning, Input.LINKEDIN
Steve Hullfish Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited six theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid's first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, "Investigative Reports" and "Cold Cases" with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.
Moderator:
Candece Munroe Candece Munroe has held various production positions as a camera pa, office pa, production coordinator, script supervisor, and video journalist. She has been a promotional model and influencer for various experiential marketing campaigns. Candece also has an extensive hospitality and marketing background managing experiential marketing campaigns for companies such as Samsung at the Barclays Center, Disney, American Express at the Us Open, NBC Unequal for NBC Upfronts 2015, CBS Cartoon Network Upfronts, Super Bowl 50, etc. In 2017 she was a trainee of the Made in NY Post Production Training Program Cycle 2. She worked for Final Frame Post as a Client Services Coordinator before participating in the HBO Media Mkrs Post Production Coordinator Training Program’s first cohort Summer 2020. Upon completing the Media Makers program, she is now a Post Production Coordinator for a Showtime Episodic series.
Post Break: Sound Editorial Workflow Collaboration for Dolby Atmos
Harbor Picture Company Supervising Sound Editor/Re-Recording Mixer Damian Volpe and Re-Recording Mixer Rob Fernandez discuss their longtime collaboration, workflows for Dolby Atmos and how Covid-19 has changed post-production sound forever.
Acclaimed sound artists, Volpe and Fernandez have teamed up on numerous projects including the films A Beautiful Day in the Neighborhood, The Lighthouse, and the upcoming Marry Me. In 2015, they shared an Emmy Award for Outstanding Sound Mixing for their work on HBO’s Bessie. In a fascinating Post Break session, they will talk about their collaborative process and the challenges of their recent Dolby Atmos mix for the Netflix Original Movie Mudbound. They will also reflect on their experience in working through the pandemic lockdown and its impact on sound workflows going forward. Picture Editor Gershon Hinkson (Chaos Walking, Vietnam in HD) will moderate.
February 18th at 4 pm EST via Zoom
Panelists: Rob Fernandez /Re-recording Mixer Rob Fernandez is an Emmy-award winning Re-Recording mixer with over three decades of experience. Throughout his career, he’s collaborated with celebrated directors including Rob Marshall, Julie Taymor, Robert Eggers, and Lee Daniels and has mixed over 100 films including Frida, Nine, Drive, and The Adjustment Bureau. After becoming a founding member of HARBOR’s sound division in 2013, Rob has continued to mix at the highest level and has worked on feature films and television series including Disney’s Hamilton, Netflix’s Mudbound, HBO’s Warrior, and more.
Damian Volpe is an Emmy Award-winning Sound Designer, Supervisor, and Re-Recording Mixer. With over two decades of experience, Damian has worked across genres from film & episodic, documentary, to experiential. Throughout the years, he has collaborated with some of the industry’s most highly acclaimed filmmakers and creatives including Ira Sachs, Debra Granik, Robert Eggers, Marielle Heller, Ted Melf, Mira Nair, Dee Rees, Peter Hedges, Jim Jarmusch, and Matthew Barney.
Damian is a founding member of Harbor’s sound division where he’s continued to work on distinguished films including Robert Eggers’ The Lighthouse, Marielle Heller’s Can You Ever Forgive Me?, Debra Granik’s Leave No Trace, and Winter’s Bone, Nicolas Winding Refn’s Drive, Ted Melf’s St. Vincent, Dee Rees’ Mudbound and Bessie, JC Chandor’s Margin Call, and documentaries Jason Bernstein’s Everything is Copy, and Joe Angio’s Revenge of the Mekons. He has also created monumental art pieces including Drawing Restraint 9, States of Unbelonging, and Last Address. His work can also be heard at the award-winning Gear Platte River Road Archway Monument and at The George Washington Museum and Education Center in Mount Vernon.
Damian is also a working partner of ((Audience)), a non-profit group dedicated to presenting music & sound art in new contexts, specifically with the use of movie theaters as concert halls.
Moderator: Gershon Hinkson, Picture Editor
With close to thirty years of experience in the film industry, Gershon Hinkson has worked in the Picture Editorial Department on many high profile motion pictures
He is a picture editor that has taken the traditional route; working his way up through the editorial department, learning the functions and intricacies of each position. Gershon contributes these experiences to his talents as a storyteller as well as his effectiveness as a department head and mentor.
Working across the US, Canada, London, Germany, and various locations in Eastern Europe, Gershon has developed workflow solutions unique to each project as well as their locations. Another of his key responsibilities has been to assemble editing room teams – both domestically and internationally.
With the goals of telling a great story and delivering a technically sound product, Gershon relies heavily on three attributes - efficiency, clear communication, and the ability to develop and maintain a healthy workplace culture.
Gershon has recently completed work as an additional editor for LionsGate’s production of “Chaos Walking” and is currently editing the series "SEVERANCE" for Apple+. When not editing, Gershon works through his production company, Igneous Features, to create socially responsible projects and content while conducting technical and workflow experiments that he later applies to the major motion pictures he works on. In 2009 he created a short film festival in Easton, Pennsylvania called Movies At The Mill Easton (moviesatthemill.com) to help spread the love of filmmaking throughout the Lehigh Valley while helping the city of Easton boost its local economy. The festival is still going strong. Gershon's short film, The Turtle & The Nightingale(2011), allowed him to conduct a DI experiment where he combined non-timecoded sources with timecoded sources in the same avid sequence. Able to maintain a relationship between his avid project and the film’s master footage, the “conform” was executed without complication and the experiment was a success. Gershon later applied his findings to the Magnolia Pictures documentary "No Place On Earth" - which was mixed, colored and conformed at Harbor Picture Company. His short film (The Turtle & The Nightingale) was accepted into the American Black Film Festival and was later aired on HBO. IMDB
The post-production industry has had to quickly adapt to the "new normal" of Covid. And the Post New York Alliance has adapted right along with it, creating new formats of programs, information, and community. This edition of Post Break will describe each of these initiatives, give contact info for how you can get involved, answer any questions you have, and show you where to go for ongoing updates.
Hear from PNYA Chair Yana Collins Lehman, Board Secretary / Chair of Education & Events Committee Chris Peterson, Membership Director / Board Member Jennifer Lane, Board Member Ben Baker, Administrator Rebekah Hernandez and several members who have formed valuable relationships and advanced their careers through their participation in the PNYA.
Post Break: We Are All Entrepreneurs. Post production is by nature entrepreneurial. The majority of our community is made up of freelancers and employees of small businesses who work on productions that are themselves small corporations that close once the show or film is distributed. At the same time, many post-production jobs exist within a rigid hierarchy—editor, assistant editor, post producer, post PA—that limit career advancement. Successful entrepreneurs overcome those limitations by seizing opportunities others overlook. Join founders of innovative post companies, Trevanna Tracksand Endcrawl, to learn how to achieve entrepreneurial success by channeling your creativity into new business ventures.
Panelists: Jennifer Freed, CEO & Founder of Trevanna Tracks / Trevanna Post Jennifer founded Trevanna Post, the gold standard in Post Production Accounting for more than 25 years, and has grown the company from a 2 person office in NYC’s historic Brill Building to an international firm with offices in NY, Los Angeles, and London. Trevanna has worked with every major studio and mini-major, as well as dozens of independents, on over 600 films and television shows to date.
Trevanna Tracks is music licensing management software for content creators film, television, and video games. She created it from her unique perspective on the need for more efficient collaboration between those responsible for getting their music licensed, paid, and delivered.
Jennifer’s access to industry experts enabled her to form a powerful think tank around these issues and to build a platform that is a revolutionary new model for the future.
She graduated with a BA in Film & Communications from Stanford University and is a founding member of the Post New York Alliance.
John ("Pliny") Eremic, co-founder of Endcrawl.com Originally a web developer, Pliny spent 8 years running a DI facility that was later acquired by Panavision/Light Iron. He then spent 6 years as a Director of Workflow at HBO before transitioning to build Endcrawl full-time in 2019.
Moderator: Chris Peterson, Board Secretary / Executive Board Member, PNYA and Executive Producer Chris Peterson has worked as an Executive Producer and media technologist at post-production facilities, VFX shops, sound/music houses, and systems integrators. His credits include Hereditary, Absentia (Sony/Amazon), Women of Troy (HBO), and Roger Waters’ concert tours and films. Prior to that, he was a producer/videographer/editor for the Howard Stern Show and on location for cable series in Brazil, Argentina, Trinidad, and around the United States. He is the host of the PNYA’s popular webinar series “Post Break,” which has been providing timely, post-Covid information and community for the post-production industry since April of 2020.
Now that working remotely has become commonplace, what are the broader effects on our industry going to be? This panel will move beyond the tools of remote work to examine:
The pros and cons of managing teams remotely.
The changing role of the post-PA, and what new skills are now in demand.
Whether post-production teams will become global, how that could facilitate work with previously unreachable clients, and what implications that could have for tax credits.
How the need for data security affects everything.
Panelists: Andrew Bly, Co-Founder/CEO, The Molecule VFX Andrew Bly grew up in Milton, PA, where he had always known his future was in entertainment and entrepreneurship. After graduating from Full Sail University he moved to New York City at 19 years old. His first freelance gig landed him on the set of Beastie Boys "Ch-Check It Out" and solidified the next year working directly with Adam Yauch at the beginning of Oscilloscope Films.
In 2005 Andrew was one of the founding members of Molecule VFX. As CEO Andrew ensures that Molecule VFX remains true to their core values of delivering high-quality work within expected budgets, and has helped the company gain a foothold within a rapidly growing and challenging VFX landscape. Andrew has worked on a number of TV series and feature films such as "Unbreakable Kimmy Schmidt" (Netflix), "Billions" (Showtime), “Dickinson” (Apple), "Da 5 Bloods" (Netflix), "The Plot Against America" (HBO), and "Five Feet Apart" (Lionsgate).
Andrew is an active member of the VFX and Post-Production communities, having served as both a board member for the Post New York Alliance and Chair of the New York chapter of the Visual Effects Society. He has become one of these communities’ strongest advocates and has worked with everyone from lawmakers to local nonprofits in New York and LA to make sure that artists have the resources they need to be successful.
Diana Dekajlo, Post Production Supervisor Diana Dekajlo is a New York-based post-production supervisor with extensive 4K/HDR experience. She began her career as a facility producer before moving to freelance post-production supervising. She has experience in both the documentary and narrative spaces, including Abstract: The Art of Design (Netflix), Springsteen on Broadway (Netflix), The Case Against Adnan Syed (HBO), Divorce (HBO), and The Queen's Gambit (Netflix). She is a member of the Post New York Alliance and the Producers Guild of America.
Yana Collins Lehman, Chairman of the PNYA Board and President / COO of Trevanna Post Yana Collins Lehman, Chairman of the PNYA Board & President and COO of Trevanna Post - Yana currently oversees strategy and operations of the New York, Los Angeles, and London offices, overseeing a staff of 40. She has been a post-production accountant at Trevanna, working on feature films and television shows since 2004. She is an active member of Local 161.
Moderator: Chris Peterson, Board Secretary / Executive Board Member, PNYA and Executive Producer Chris Peterson has worked as an Executive Producer and media technologist at post-production facilities, VFX shops, sound/music houses, and systems integrators. His credits include Hereditary, Absentia (Sony/Amazon), Women of Troy (HBO), and Roger Waters’ concert tours and films. Prior to that, he was a producer/videographer/editor for the Howard Stern Show and on location for cable series in Brazil, Argentina, Trinidad, and around the United States. He is the host of the PNYA’s popular webinar series “Post Break,” which has been providing timely, post-Covid information and community for the post-production industry since April of 2020.