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"GEMINI MAN" High Frame Rate Demonstration and Discussion
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GEMINI MAN was Ang Lee's second film shot in 120 FPS / 3D / 4K. Come see a demonstration of 120 FPS / 3D and how it compares to 24 FPS and 60 FPS. Members of the post production team will discuss the complexities involved with working in such a high frame rate. Seating is very limited. Registration is required.

1/20/2020
When: Monday, January 20, 2020
7:15 PM - 9:30 PM
Where: FINAL FRAME
71 West 23rd Street, 19th Floor
New York, New York  10010
United States
Contact: PNYA Membership


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Gemini Man was Ang Lee's second film shot in 120 FPS / 3D / 4K. Come see a demonstration of 120 FPS / 3D and how it compares to 24 FPS and 60 FPS. The following members of the post production crew will participate in a discussion of the complexities involved with working in such a high frame rate.

TIM SQUYRES - Editor
Tim Squyres  has edited many features including Gemini Man, Unbroken, Billy Lynn's Long Halftime Walk, Life of Pi (Oscar, BAFTA and ACE Nominee), Taking Woodstock, Rachel Getting Married, Syriana, Lust/Caution (Golden Horse Nominee), Gosford Park (ACE Nominee), Crouching Tiger, Hidden Dragon (Oscar, BAFTA and ACE Nominee; Gold Horse Winner), and The Wedding Banquet .

DEREK SCHWEICKART - 3D DI Supervisor
Derek Schweickart has worked in digital cinematography and workflows since his start as a camera prep technician in 2004. Since then he has worked with David Fincher, James Cameron, Michael Bay, Robert Rodriguez, Martin Scorsese and most recently he supervised the workflows for Ang Lee’s last three films, including the ambitious Gemini Man shot in native 3D at 120 frames per second.

ANDREW LEVEN
- Assistant Editor
Andrew Leven has worked in Editorial, on both features and scripted television, since 2008.  During his time in the industry he has worked up the ladder from PA to Editor.  Prior to living in New York, Andrew graduated from Emerson College in Boston and spent a few years in Los Angeles.  His most recent Editing credits include, In This, Our Time, The Accidental Wolf, and A Mouthful of Air (Additional Editor).  Other credits include, Gemini Man (1st Assistant Editor), Red Sea Diving Resort (Associate Editor), Billy Lynn’s Long Halftime Walk (1st Assistant Editor), Parks & Recreation (Assistant Editor), and Mad Men (Assistant Editor).

JENNIFER LANE - Associate Producer / Post Production Supervisor
Jennifer Lane has worked for Paramount Pictures, Warner Brothers, Dreamworks Studios, The Walt Disney Company, Universal Pictures, Amazon and Focus Features among other studios. Some of her feature credits include Gemini Man, Mary Poppins Returns, Wonderstruck, Billy Lynn's Long Halftime Walk, Into the Woods, The Bourne Legacy, Extremely Loud & Incredibly Close, The Reader, Revolutionary Road and Doubt. Her next project is the series Dash and Lily for Netflix. Jennifer also serves as the Membership Director of the Post New York Alliance.

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Final Frame is a full service post facility focusing on end-to-end solutions for your post workflow. With two locations in New York and one in London, Final Frame has 17 years of filmmaking knowledge, engineering, and expertise to help you to post your project!

From film scanning, dailies, and restoration, to editorial suites, to picture grading, to sound mixing, to screenings, and through to delivery, we are uniquely prepared to guide you through the entire creative process.

Final Frame recently completed building a Hollywood-sized theatrical picture and sound stage on the top floor of the iconic Masonic Lodge on 23rd St. Equipped for both picture and sound with state of the art picture mastering tools, certified Dolby ATMOS Theaters, Pro Tools S6 mixing consoles, and a 28' RealD 3D Ultimate screen, Final Frame has provided an acoustically engineered environment to finish large format projects. https://finalframepost.com/

 

 

 

 


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