|
Many established narrative editors have turned their hand to documentaries, while others have worked in the opposite direction working as documentarians who crossover into narrative territory. Whether working within fictional or non-fictional worlds -- we as visual storytellers are instinctively drawn to elements common to both genres, yet the filmmaking communities often exist separately.
What are the strengths, strategies and strokes of luck required to bridge the two worlds successfully?
JOIN US for a live panel discussion with some of New York’s top Editors on how they successfully bridge the worlds of non-fictional documentary and scripted editorial. Followed by Q&A and refreshments.
CONFIRMED PANELISTS:
ALYSSON C. JOHNSON (The Namesake, Vanity Fair, Monsoon Wedding)
CRAIG McKAY (Sin Nombre, Silence of the Lambs, Philadelphia)
TIM SQUYRES (Life of Pi, The Armstrong Lie, Syriana)
SAM POLLARD(If God Is Willing And Da Creek Don’t Rise, 4 Little Girls, Clockers)
ALAN OXMAN ( Control Room, Happiness, Welcome To The Dollhouse)
|
New Company Member
Newest Company Member
Newest Company Member