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The Turnover Series podcasts: Picture, Sound and VFX Turnover Explained

Posted By Administration, Tuesday, November 4, 2014
Updated: Saturday, September 5, 2015

 

PNYA’s Ben Baker (left) discusses a point with Alexa Zimmerman and Chris Healer.

The Post New York Alliance hosted a series of podcasts in September, October and November 2014 concerning the intricacies of editorial turnover. The talks helped members understand the specifics of the intricate dance between what happens on set and those film scans and data files are handled in the various post workflows for feature film finishing.

Since this is much more complex than it might seem at first, the series broke it all down into three evening sessions covering picture, sound and VFX. If you're curious to hear what was said, head on over to the PNYA podcast page, which you can find here.

Moderated by PNYA Education chair Ben Baker, the podcasts feature interviews with top professionals working in the field today, including Ian Blume (The Bourne Legacy, Chocolat, Doubt) , Alexa Zimmerman (Lee Daniel's The Butler, Boardwalk Empire, Midsummer Night's Dream), Zana Bochar (The Bourne Legacy, Noah), Chris Healer (Beasts Of The Southern Wild, A Walk Among The Tombstones), and Matthew Schneider (Workflow R&D Technicolor Postworks).

Each podcast episode can be listened to as standalone discussions on a single workflow. These talks have proved some of our most popular, however, so you might want to check out the whole series. After all, where else can busy New York post professionals learn about the latest trends in workflow and post processes in Hollywood and Independent films?

Thanks to Technicolor Postworks for their sponsorship and hosting of these events.

-Podcast theme by Ben Pedersen.

 

Tags:  podcasts  Technicolor Postworks  turnover 

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PNYA Workshop: Turnover to VFX

Posted By Administration, Thursday, October 30, 2014
Updated: Saturday, September 5, 2015

 

Technicolor PostWorks New York
110 Leroy Street
New York, NY 10014

November 6, 2014 @ 7pm 

The final session in the popular Turnover Series is Turnover to VFX, a conversation between a visual effects editor and visual effects supervisor about what goes into their work together. Technicolor again hosts us in their comfortable Leroy Street ground floor theatre. If you can’t make it, be sure to check out our podcast recording.

This Turnover to VFX workshop will cover the full visual effects editorial process. We’ll hear from top working pros just how visual effects shots move through their workflow from editorial versions to finishing.

Seating in the theatre is limited to 30. Don’t be disappointed by not securing a seat! Please RSVP to seminars@postnewyork.org as soon as you can. Seats will be allocated on a first-come basis.

Speakers on the night are:

Zana Bochar has been working in postproduction in NYC since graduating from Florida State University’s College of Motion Picture Arts. Zana joined the Editors Guild as an apprentice on A Serious Man. Her feature film work includes Black Swan and Men In Black 3. Zana started in visual effects editorial as a visual effects assistant editor on The Bourne Legacy and Noah. Most recently she was the visual effects editor on Chris Rock's upcoming Top Five.

Chris Healer’s varied career includes finishing a film degree at University of Colorado/Boulder, building a 16mm projector out of Legos and writing a 3D graphics library in DOS, Chris transitioned from web design to motion capture and 3D animation while in Denver. He moved to New York in 2002 to complete work on Below the Belt (Sundance 2004). By 2005 Chris founded visual effects house The Molecule (http://www.themolecule.com). At The Molecule, he splits his time as CEO, CTO, Visual Effects Supervisor, VFX Consultant, Creative Designer, Software Developer, Producer, and Chief Scientist.

Chris has worked on a variety of film and television projects, including The Affair, Nurse Jackie, Sex & Drugs & Rock & Roll, The Americans, Unbreakable Kimmy Schmidt, Rescue Me, Damages, 30 Rock, Rubicon, Royal Pains, Smash, Blue Bloods, Golden Boy, A Walk Among the Tombstones, The Giver, Hellbenders, Beasts of the Southern Wild, and many more.

Ben Baker, series’ moderator and PNYA Education committee chair, has worked across a broad range of studio and independent films in both the UK and US as an executive producer, post supervisor, project consultant, workflow designer and manager. His work has covered areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of an entire project, from development to distribution.

Ben’s credits include his work on Casino RoyaleThe Narnia Chronicles Trilogy, and Generation Kill (HBO). His film and digital restoration work is extensive, including mastering hundreds of films. While living in the UK, Ben ran the Digital Lab at noted facility Framestore. He now lives in the New York area.

The workshop is free for members- non members can sign up on the night!

TURNOVER TO SOUND and TURNOVER TO PICTURE - Both Now Available on the PNYA Podcast!

 

Tags:  Technicolor Postworks  vfx  visual effects  workshop 

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Turnover to Picture Workshop

Posted By Administration, Tuesday, October 7, 2014
Updated: Saturday, September 5, 2015

Workshop: Turnover to Picture 

Technicolor PostWorks New York

110 Leroy Street 

New York, NY 10014
Theatre

October 14, 2014 @ 7pm


Following the success our recent Turnover To Sound event, PNYA is holding the second in the series, this time covering picture turnover on October 14, at PostWorks New York.


The workshop will cover picture turnover from editorial to a picture finishing/ DI department. Seating in the theatre for this event again is limited, so please RSVP to seminars@postnewyork.org to avoid disappointment. Seats will be allocated on a first-come basis.

Speakers this evening are:

Ian Blume has worked in feature film postproduction for 15 years, spanning such films as CHOCOLAT, DOUBT and THE BOURNE LEGACY.

A graduate of Emerson College (Film Studies, 99), he started out in NYC by building a strong foundation at Sound One. There he established close ties in the industry, and quickly became part of a tightly knit family.

Ian has climbed the ranks as an assistant editor, working on 14 features of all budget levels, in the US and abroad. He has collaborated with many top-tier, award-winning editors, directors, writers and producers, and accumulated valuable experience, technique and guidance from all of them.

Ian is currently working as editor on his 2nd narrative feature film, DRAWING HOME.

Matthew Schneider leads the research and workflow development effort at Technicolor - PostWorks through the Test Lab. He assists clients in workflow design and implementation, and other issues related to digital camera systems and formats. He also serves as liaison to Avid and other technology manufacturers to assist in product development and customer support.

Prior to joining Technicolor - PostWorks New York in 2003, Schneider worked as a support engineer for Avid Technology, where he assisted with large-scale broadcast network deployments, and workflow design for feature film and television clients. He is an active member of SMPTE New York and the Sony Cine-Alta User Group.

Ben Baker has been across a broad range of US and UK studio and independent films as an executive producer, post supervisor, project consultant, workflow designer and manager, in areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of entire project, from development to distribution. He lived in the UK for 10 years and ran the Digital Lab at Framestore during that time. He now resides in New York.

The workshop is free for members- non members can sign up on the night!

 

Tags:  Ben Baker  Ian Blume  Matthew Schneider  Technicolor Postworks  Turnover to Picture 

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