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The Post New York Alliance supports and promotes the Post Production community in New York. This podcast is the collection of talks, seminars and events from the PNYA calendar. PostNewYork.org @PostNY

 

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Top tags: Sound Editorial  Editorial  Frame by Frame  Assistant Editor  New York Lounge  postproduction  Sundance  Local 700  Sound One  Editor  Festivals  Facility  Postworks Technicolor  Sound Post  Turnover  VFX  Cinematography  Color Management  The Molecule VFX  Audience  Dailies  DIT  Film Financing  Mix  PostBreak  sound  sound editor  Soundtrack Studios  Academy Of Motion Picture Arts and Sciences  ACES 

FXF005: Angelo Corrao and Alex Halpern

Posted By Ben Baker, Thursday, March 16, 2017
Updated: Wednesday, March 16, 2022

Frame By Frame, Episode 005: Angelo Corrao and Alex Halpern

Post Factory Founder, Alex Halpern and picture editor Angelo Corrao talk about their collaboration on Nine Good Teeth  as well as Angelo’s work on Bruce Weber’s Let’s Get Lost and their experiences coming up in the 1980's New York film scene and developing early relationships with filmmakers like The Coen Brothers.

 

Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

 

Tags:  Assistant Editor  Editor  Editorial  Facility  Frame by Frame  Post Factory  postproduction 

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What Keeps a CTO Up At Night?

Posted By Ben Baker, Saturday, November 14, 2015
Updated: Wednesday, March 16, 2022

This was a panel presented as part of CCW/ NAB NY. The Post New York Alliance was proud to partner for the first time with NAB on this event.

What Keeps a CTO Up At Night?

If you're doing post production in New York in 2015 – face it, it's not as easy to figure out as even a few years ago. Your production must deal with new formats – it might be 4K, 6K "future proofing," ProRes versus RAW. The Academy of Motion Pictures & Television wants you to move to ACES – but what's that all about? Did we mention that you must be proficient in cloud computing, distribution to multiple smartphone formats, and now – oh my - Virtual Reality? 

That's why you'll want to join in conversation with our esteemed group of CTOs and Technologists. These are the experts from top New York post houses who know how the latest technologies might help – or hinder – your bottom line. Our panel will help you understand best practices from camera slate through to the final render, what new workflows can save you time and money, and how to make sense of it all.

 

MODERATOR

Baker, Ben
Ben Baker
Digital Workflow, Post Production Supervision, Chair of Education Committee
Post New York Alliance
 

 

PANELISTS

Beirne, Joe
Joe Beirne
CTO of Technicolor 
PostWorks in New York
Laniado, Avi
Avi Laniado
Chief Engineer
Harbor Picture Company
Parker, Chris
Chris Parker
Chief Technology Officer, President of Post 
Post Production Division, SIM Group
Skopas, Harry
Harry Skopas
Director of Technology
The Mill

 

Tags:  CTO  Facility  Harbor Picture Company  Management  postproduction  Postworks Technicolor  SIM Group  The Mill 

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Turnover To Vfx

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

TURNOVER TO VFX 

Technicolor PostWorks New York
110 Leroy Street
New York, NY 10014

November 6, 2014 @ 7pm 

The final session in the popular Turnover Series is Turnover to VFX, a conversation between a visual effects editor and visual effects supervisor about what goes into their work together. Technicolor again hosts us in their comfortable Leroy Street ground floor theatre. If you can’t make it, be sure to check out our podcast recording.

This Turnover to VFX workshop will cover the full visual effects editorial process. We’ll hear from top working pros just how visual effects shots move through their workflow from editorial versions to finishing.

Seating in the theatre is limited to 30. Don’t be disappointed by not securing a seat! Please RSVP to seminars@postnewyork.org as soon as you can. Seats will be allocated on a first-come basis.

Speakers on the night are:

Zana Bochar has been working in postproduction in NYC since graduating from Florida State University’s College of Motion Picture Arts. Zana joined the Editors Guild as an apprentice on A Serious Man. Her feature film work includes Black Swan and Men In Black 3. Zana started in visual effects editorial as a visual effects assistant editor on The Bourne Legacy and Noah. Most recently she was the visual effects editor on Chris Rock's upcoming Top Five.

Chris Healer’s varied career includes finishing a film degree at University of Colorado/Boulder, building a 16mm projector out of Legos and writing a 3D graphics library in DOS, Chris transitioned from web design to motion capture and 3D animation while in Denver. He moved to New York in 2002 to complete work on Below the Belt (Sundance 2004). By 2005 Chris founded visual effects house The Molecule (http://www.themolecule.com). At The Molecule, he splits his time as CEO, CTO, Visual Effects Supervisor, VFX Consultant, Creative Designer, Software Developer, Producer, and Chief Scientist. 

Chris has worked on a variety of film and television projects, including The Affair, Nurse Jackie, Sex & Drugs & Rock & Roll, The Americans, Unbreakable Kimmy Schmidt, Rescue Me, Damages, 30 Rock, Rubicon, Royal Pains, Smash, Blue Bloods, Golden Boy, A Walk Among the Tombstones, The Giver, Hellbenders, Beasts of the Southern Wild, and many more.

Ben Baker, series’ moderator and PNYA Education committee chair, has worked across a broad range of studio and independent films in both the UK and US as an executive producer, post supervisor, project consultant, workflow designer and manager. His work has covered areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of an entire project, from development to distribution. 

Ben’s credits include his work on Casino RoyaleThe Narnia Chronicles Trilogy, and Generation Kill (HBO). His film and digital restoration work is extensive, including mastering hundreds of films. While living in the UK, Ben ran the Digital Lab at noted facility Framestore. He now lives in the New York area.

The workshop is free for members- non members can sign up on the night!

 

Tags:  Assistant Editor  Editorial  Facility  Local 700  Postworks Technicolor  The Molecule VFX  Turnover  VFX 

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Turnover To Picture

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

TURNOVER TO PICTURE 

TECHNICOLOR POSTWORKS NEW YORK

110 LEROY STREET 

NEW YORK, NY 10014
THEATRE

OCTOBER 14, 2014 @ 7PM

 


Following the success our recent Turnover To Sound event, PNYA is holding the second in the series, this time covering picture turnover on October 14, at PostWorks New York.

 

 

The workshop will cover picture turnover from editorial to a picture finishing/ DI department. Seating in the theatre for this event again is limited, so please RSVP to seminars@postnewyork.org to avoid disappointment. Seats will be allocated on a first-come basis.

Speakers this evening are:

Ian Blume has worked in feature film postproduction for 15 years, spanning such films as CHOCOLAT, DOUBT and THE BOURNE LEGACY.

A graduate of Emerson College (Film Studies, 99), he started out in NYC by building a strong foundation at Sound One. There he established close ties in the industry, and quickly became part of a tightly knit family.

Ian has climbed the ranks as an assistant editor, working on 14 features of all budget levels, in the US and abroad. He has collaborated with many top-tier, award-winning editors, directors, writers and producers, and accumulated valuable experience, technique and guidance from all of them.

Ian is currently working as editor on his 2nd narrative feature film, DRAWING HOME.

Matthew Schneider leads the research and workflow development effort at Technicolor - PostWorks through the Test Lab. He assists clients in workflow design and implementation, and other issues related to digital camera systems and formats. He also serves as liaison to Avid and other technology manufacturers to assist in product development and customer support.

Prior to joining Technicolor - PostWorks New York in 2003, Schneider worked as a support engineer for Avid Technology, where he assisted with large-scale broadcast network deployments, and workflow design for feature film and television clients. He is an active member of SMPTE New York and the Sony Cine-Alta User Group.

Ben Baker has been across a broad range of US and UK studio and independent films as an executive producer, post supervisor, project consultant, workflow designer and manager, in areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of entire project, from development to distribution. He lived in the UK for 10 years and ran the Digital Lab at Framestore during that time. He now resides in New York.

The workshop is free for members- non members can sign up on the night!

 

 

Tags:  Assistant Editor  Cinematography  Digital Intermediate  Editorial  Facility  Local 700  postproduction  Postworks Technicolor  Turnover 

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The Assistant Editor and the Digital Image Technician

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

 

PNYA Seminar #1: 

The Assistant Editor and the Digital Image Technician

Light Iron- 580 Broadway, 8th Floor  

June 18, 2014 @7pm

 

The first seminar in the 2014 PNYA seminar series kicked off a discussion between prominent Assistant Editors and Digital Image Technicians, talking about roles, expectations and making the communication from shoot to post as smooth as possible.

Speakers include:

  • Ben Baker, Post Production Supervisor & Moderator
  • Adriaan Van Zyl, Assistant Editor (Noah)
  • Ryan Heide DIT (Blue Bloods)
  • Jordan Maltby (Beautiful Creatures)
  • Paul Moore, East Coast Executive Director MPEG.

With thanks to Light Iron for the venue and recording, and Buttons NY for help with the sound prep.


 

Tags:  Assistant Editor  Cinematography  Dailies  DIT  Editorial  Facility  Light Iron  Local 700 

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