In the Alice’s Restaurant cutting room, from left, Richard Marks, Dede Allen, Frank Mazzola, Jerry Greenberg, Joanne McGarrity Burke, Stephen Rotter, Kathie Amatniek Sarachild and Dick Goldberg (seated) in 1969.
Perhaps best known for his 1968 film, Bonnie and Clyde, stage, television and film director Arthur Penn’s masterful sense of rhythm and movement, his pioneering approach to representing violence, as well as his ability to consistently evoke powerful performances established Arthur Penn as one of the most important American directors of the 1960’s and 70's.
Here several Arthur Penn collaborators including picture editors, Steve Rotter, Ron Roose, Jeffrey Wolf, picture and sound editors, Bob Reitano and Marc Laub and music editor Suzana Peric talk about their experiences working with Arthur Penn on the films Mickey One, Alice’s Restaurant, Little Big Man, Night Moves, Missouri Breaks, Four Friends,Target and Penn and Teller Get Killed.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
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