FIX IT IN...PREP? THE VALUE OF POST PRODUCTION ARTISTS EARLY IN THE PROCESS..

sponsored by Nice Shoes, Filmlight, and SONY

Most producers have a strong concept of what they want their project to look like, but they don’t always consider editorial, visual effects, music or color grading during the pre-production phase. Bringing post artists into the conversation at the onset of a project leads to enhancing imagery rather than "fixing” in post. In this session, producers will speak directly about the nature of their collaboration with their post team, and share how the early reliance on their skills and experience expanded the possibilities for their projects. Incorporated during prep or on set, your post artists have all kinds of ways to get the most out your of budgets and schedules, as well as that final cut.

Speakers

Alison Beckett
Post Production Supervisor

Kill The Messenger, The Hundred-Foot Journey, Bessie

Brad Carpenter
Co- Producer

Vinyl, Boardwalk Empire, Nurse Jackie

Chris Ryan
Colorist at Nice Shoes

Peter Saraf
Producer / Chair of the PGA East

About Ray, Safety Not Guaranteed, Little Miss Sunshine

Dan Schrecker
Senior VFX Supervisor, Psyop Film and Television

Hail Cesar, Black Swan

Tim Squyres
Editor

Billy Lynn’s Long Halftime Walk, Life of Pi, Unbroken, Lust/Caution,

Moderator

Jennifer Lane
Post Production Supervisor; / Secretary of the Post New York Alliance

Billy Lynn’s Long Halftime Walk, Into the Woods, The Bourne Legacy, Revolutionary Road