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The Post New York Alliance supports and promotes the Post Production community in New York. This podcast is the collection of talks, seminars and events from the PNYA calendar. PostNewYork.org @PostNY

 

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Top tags: Sound Editorial  Editorial  Frame by Frame  Assistant Editor  New York Lounge  postproduction  Sundance  Local 700  Sound One  Editor  Festivals  Facility  Postworks Technicolor  Sound Post  Turnover  VFX  Cinematography  Color Management  The Molecule VFX  Audience  Dailies  DIT  Film Financing  Mix  PostBreak  sound  sound editor  Soundtrack Studios  Academy Of Motion Picture Arts and Sciences  ACES 

The Academy Aces Pipeline Primer: Post And Vfx

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

The Post New York Alliance & 

the Visual Effects Society New York, 

in cooperation with 

The Academy of Motion Picture Arts and Sciences, 

present:

THE ACES PIPELINE PRIMER: POST & VFX

July 16, 7pm

Venue- The School of Visual Arts Theatre

333 West 23rd Street

After years of research and development, the Academy Color Encoding System (ACES) 1.0 has arrived! It is becoming the standard for color management and image interchange for motion pictures, television, commercials and other forms of professional content. This session will deliver an overview of the engineering and science as well as practical information needed to understand and implement ACES into postproduction and VFX pipelines.

ACES enables DPs and directors to better preserve their creative intent from on-set monitoring and look management, to dailies, editorial, VFX, the DI and on into archiving. It does this by addressing the long-standing color management issues facing today’s productions. ACES expands the creative palette with its high dynamic range and wide color gamut capabilities, while streamlining collaboration with standardized encodings and file formats.

Alex Forsythe, Academy technical lead on the ACES project, is traveling to New York to speak about the development of, and latest innovations in, ACES and how it helps color management and workflows. His presentation will be followed by a discussion about practical, real-world implications with several key members of the New York post production and VFX community.

Hear how ACES is being implemented with today’s tools on-set and at leading facilities in VFX, post and mastering. Seating is limited so please RSVP to seminars@postnewyork.org to reserve your place.

PNYA & VES members are free- $10 non members.

 

Tags:  Academy Of Motion Picture Arts and Sciences  ACES  Color Management  Dailies  DIT  Mastering  Onset  Turnover  VFX 

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VFX Colorspace NY Part 2

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

This is part 2 of the VFX Colorspace Seminar, given by Chris Healer, CEO of The Molecule VFX.

Tags:  Color Management  The Molecule VFX  vfx 

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VFX Colorspace NY Part 1

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

This is Part 1 of the VFX Colorspace Seminar, given by Chris Healer, CEO of The Molecule VFX.

Tags:  Color Management  The Molecule VFX  VFX 

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Turnover To Vfx

Posted By Ben Baker, Friday, November 13, 2015
Updated: Wednesday, March 16, 2022

TURNOVER TO VFX 

Technicolor PostWorks New York
110 Leroy Street
New York, NY 10014

November 6, 2014 @ 7pm 

The final session in the popular Turnover Series is Turnover to VFX, a conversation between a visual effects editor and visual effects supervisor about what goes into their work together. Technicolor again hosts us in their comfortable Leroy Street ground floor theatre. If you can’t make it, be sure to check out our podcast recording.

This Turnover to VFX workshop will cover the full visual effects editorial process. We’ll hear from top working pros just how visual effects shots move through their workflow from editorial versions to finishing.

Seating in the theatre is limited to 30. Don’t be disappointed by not securing a seat! Please RSVP to seminars@postnewyork.org as soon as you can. Seats will be allocated on a first-come basis.

Speakers on the night are:

Zana Bochar has been working in postproduction in NYC since graduating from Florida State University’s College of Motion Picture Arts. Zana joined the Editors Guild as an apprentice on A Serious Man. Her feature film work includes Black Swan and Men In Black 3. Zana started in visual effects editorial as a visual effects assistant editor on The Bourne Legacy and Noah. Most recently she was the visual effects editor on Chris Rock's upcoming Top Five.

Chris Healer’s varied career includes finishing a film degree at University of Colorado/Boulder, building a 16mm projector out of Legos and writing a 3D graphics library in DOS, Chris transitioned from web design to motion capture and 3D animation while in Denver. He moved to New York in 2002 to complete work on Below the Belt (Sundance 2004). By 2005 Chris founded visual effects house The Molecule (http://www.themolecule.com). At The Molecule, he splits his time as CEO, CTO, Visual Effects Supervisor, VFX Consultant, Creative Designer, Software Developer, Producer, and Chief Scientist. 

Chris has worked on a variety of film and television projects, including The Affair, Nurse Jackie, Sex & Drugs & Rock & Roll, The Americans, Unbreakable Kimmy Schmidt, Rescue Me, Damages, 30 Rock, Rubicon, Royal Pains, Smash, Blue Bloods, Golden Boy, A Walk Among the Tombstones, The Giver, Hellbenders, Beasts of the Southern Wild, and many more.

Ben Baker, series’ moderator and PNYA Education committee chair, has worked across a broad range of studio and independent films in both the UK and US as an executive producer, post supervisor, project consultant, workflow designer and manager. His work has covered areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of an entire project, from development to distribution. 

Ben’s credits include his work on Casino RoyaleThe Narnia Chronicles Trilogy, and Generation Kill (HBO). His film and digital restoration work is extensive, including mastering hundreds of films. While living in the UK, Ben ran the Digital Lab at noted facility Framestore. He now lives in the New York area.

The workshop is free for members- non members can sign up on the night!

 

Tags:  Assistant Editor  Editorial  Facility  Local 700  Postworks Technicolor  The Molecule VFX  Turnover  VFX 

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