Frame By Frame
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Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance. Produced by Isabel Sadurni.

 

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Top tags: Frame by Frame  Sound One  Film  Arthur Penn  Blow Out  Bob Reitano  Bonnie and Clyde  Dan Sable  Dressed To Kill  editor  Jay Rabinowitz  Jim Jarmusch  Michael Jacobi  Sidney Lumet  sound  Tom Fleischmann  Woody Allen  Al Pacino  Alan Heim  Alex Halpern  Ang Lee  Angelo Corrao  Anne Carey  Anne McCabe  Annie Hall  Bill Nisselson  Bill Pankow  Boardwalk Empire  Bob Hein  Brian Depalma 

FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma

Posted By Isabel Sadurni, Friday, July 21, 2017

FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma 

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In Brian DePalma’s 1981 film Blow Out, the main character is a sound effects specialist who accidentally records a murder while collecting night sounds for his effects library. The inspiration for this character was Dan Sable, a New York-based sound editor and a collaborator of DePalma’s on nine of his films including, Carrie, Dressed to Kill and Blow Out. Dan Sable built a career as a sound editor working on films such as Annie Hall and Manhattan and multiple films with Woody Allen. Other directors with whom he collaborated include Bob Fosse, Volker Schlorndorff, Ron Howard and Jonathan Demme.

This interview was recorded in Dan Sable’s home home by Ira Spiegel and Shari Johanson for Frame By Frame and may be included in an forthcoming documentary on the new York Post Facility Sound One. Here, Dan talks about how he got his start in the film business, specifically in working with filmmaker Brian dePalma, how he successfully transitioned from working in analog and adapted to the  tools of the digital era. He begins by discussing the difference between taking on the position of sound editor versus sound supervisor

Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.

Produced by Isabel Sadurni, Shari Johanson and Ben Baker.

Photo credit: In Brian dePalma's 1981 film, Blow Out, John Travolta stars as a sound recordist and editor, based on his real-life collaborator, Dan Sable.

Tags:  Annie Hall  Blow Out  Brian Depalma  Carrie  Dan Sable  Dick Vorisek  Dressed To Kill  Jonathan Demme  Manhattan  Woody Allen 

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FXF_S02EP05: JIM JARMUSCH PT2: Jay Rabinowitz, Bob Hein, Tony Volante

Posted By Isabel Sadurni, Wednesday, July 12, 2017
Updated: Thursday, July 13, 2017

FXF_SO02EP05: JIM JARMUSCH PT2: Jay Rabinowitz, Bob Hein, Tony Volante

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Coming together in the early 1980’s filmmaking scene of New York, picture editor Jay Rabinowitz and sound editor Bob Hein first met in collaborating on Jim Jarmusch’s film Mystery Train which led to multiple collaborations over 25 years of working with Jim Jarmusch on such films as Broken Flowers, Dead Man, and Limits of Control. Re-recording mixer, Tony Volante joined in mixing the feature film, Coffee and Cigarettes and has since also mixed on Paterson with Bob Hein as sound editor. Jay, Bob and Tony start out by describing the filmmaking scene of 1980’s New York and how that set the tone for future collaborations. Jay Rabinowitz also talks about his process as a picture editor working with Jim Jarmusch and how the film Dead Man came together.

Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.

Produced by Isabel Sadurni and Ben Baker.

Tags:  Bob Hein  Broken Flowers  Coffee and Cigarettes  editing  editor  film  Jay Rabinowitz  Jim Jarmusch  Limits of Control  Mystery Train  Neil Young  New York  Only Lovers Left Alive  re-recording mixer  sound  Tony Volante  Woody Allen 

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