Frame By Frame
Blog Home All Blogs
Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance. Produced by Isabel Sadurni.

 

Search all posts for:   

 

Top tags: Frame by Frame  Sound One  Film  Arthur Penn  Blow Out  Bob Reitano  Bonnie and Clyde  Dan Sable  Dressed To Kill  editor  Jay Rabinowitz  Jim Jarmusch  Michael Jacobi  Sidney Lumet  sound  Tom Fleischmann  Woody Allen  Al Pacino  Alan Heim  Alex Halpern  Ang Lee  Angelo Corrao  Anne Carey  Anne McCabe  Annie Hall  Bill Nisselson  Bill Pankow  Boardwalk Empire  Bob Hein  Brian Depalma 

FXF_S03EP03_Brian DePalma: Kris Boden, Lee Dichter, Bill Pankow, Dan Sable, Maurice Schell

Posted By Isabel Sadurni, Sunday, November 19, 2017

FXF_S03EP03_Brian DePalma: Kris Boden, Lee Dichter, Bill Pankow, Dan Sable, Maurice Schell

PLAY PODCASTBest known for his films Dressed to Kill, Blow-Out, Scarface and The Untouchables, Brian De Palma became part of the New Hollywood generation of the 1960’s and 70’s along with Martin Scorsese, Francis Ford Coppola and Stephen Spielberg, but it wasn’t until his 10th feature and breakthrough film, Carrie, that he mastered the visual grammar of suspense, psychological thriller and crime drama and developed an approach in representing sex and violence that began to define his style.

In this episode, picture editors Bill Pankow and Kris Boden, supervising sound editor, Dan Sable and Maurice Schell and re-recording mixer, Lee Dichter talk about collaborating with director Brian dePalma on films such as Blow Out, Scarface, The Untouchables, and Carlito's Way.

Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.

Produced by Isabel Sadurni and Ben Baker.

Tags:  Al Pacino  Bill Pankow  Blow Out  Brian DePalma: Kris Boden  Dan Sable  Dressed To Kill  Editor  Film  jerry Greenberg  Lee Dichter  Maurice Schell new Yor Filmmaking  Paul Hersch Ribert deNiro  Scarface 

PermalinkComments (0)
 

FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma

Posted By Isabel Sadurni, Friday, July 21, 2017

FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma 

PLAY PODCAST

In Brian DePalma’s 1981 film Blow Out, the main character is a sound effects specialist who accidentally records a murder while collecting night sounds for his effects library. The inspiration for this character was Dan Sable, a New York-based sound editor and a collaborator of DePalma’s on nine of his films including, Carrie, Dressed to Kill and Blow Out. Dan Sable built a career as a sound editor working on films such as Annie Hall and Manhattan and multiple films with Woody Allen. Other directors with whom he collaborated include Bob Fosse, Volker Schlorndorff, Ron Howard and Jonathan Demme.

This interview was recorded in Dan Sable’s home home by Ira Spiegel and Shari Johanson for Frame By Frame and may be included in an forthcoming documentary on the new York Post Facility Sound One. Here, Dan talks about how he got his start in the film business, specifically in working with filmmaker Brian dePalma, how he successfully transitioned from working in analog and adapted to the  tools of the digital era. He begins by discussing the difference between taking on the position of sound editor versus sound supervisor

Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.

Produced by Isabel Sadurni, Shari Johanson and Ben Baker.

Photo credit: In Brian dePalma's 1981 film, Blow Out, John Travolta stars as a sound recordist and editor, based on his real-life collaborator, Dan Sable.

Tags:  Annie Hall  Blow Out  Brian Depalma  Carrie  Dan Sable  Dick Vorisek  Dressed To Kill  Jonathan Demme  Manhattan  Woody Allen 

PermalinkComments (0)