Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance.
Produced by Isabel Sadurni.
PLAY PODCASTBest known for his films Dressed to Kill, Blow-Out, Scarface and The Untouchables, Brian De Palma became part of the New Hollywood generation of the 1960’s and 70’s along with Martin Scorsese, Francis Ford Coppola and Stephen Spielberg, but it wasn’t until his 10th feature and breakthrough film, Carrie, that he mastered the visual grammar of suspense, psychological thriller and crime drama and developed an approach in representing sex and violence that began to define his style.
In this episode, picture editors Bill Pankow and Kris Boden, supervising sound editor, Dan Sable and Maurice Schell and re-recording mixer, Lee Dichter talk about collaborating with director Brian dePalma on films such as Blow Out, Scarface, The Untouchables, and Carlito's Way.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
In the Alice’s Restaurant cutting room, from left, Richard Marks, Dede Allen, Frank Mazzola, Jerry Greenberg, Joanne McGarrity Burke, Stephen Rotter, Kathie Amatniek Sarachild and Dick Goldberg (seated) in 1969.
Perhaps best known for his 1968 film, Bonnie and Clyde, stage, television and film director Arthur Penn’s masterful sense of rhythm and movement, his pioneering approach to representing violence, as well as his ability to consistently evoke powerful performances established Arthur Penn as one of the most important American directors of the 1960’s and 70's.
Here several Arthur Penn collaborators including picture editors, Steve Rotter, Ron Roose, Jeffrey Wolf, picture and sound editors, Bob Reitano and Marc Laub and music editor Suzana Peric talk about their experiences working with Arthur Penn on the films Mickey One, Alice’s Restaurant, Little Big Man, Night Moves, Missouri Breaks, Four Friends,Target and Penn and Teller Get Killed.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Coming together in the early 1980’s filmmaking scene of New York, picture editor Jay Rabinowitz and sound editor Bob Hein first met in collaborating on Jim Jarmusch’s film Mystery Train which led to multiple collaborations over 25 years of working with Jim Jarmusch on such films as Broken Flowers, Dead Man, and Limits of Control. Re-recording mixer, Tony Volante joined in mixing the feature film, Coffee and Cigarettes and has since also mixed on Paterson with Bob Hein as sound editor. Jay, Bob and Tony start out by describing the filmmaking scene of 1980’s New York and how that set the tone for future collaborations. Jay Rabinowitz also talks about his process as a picture editor working with Jim Jarmusch and how the film Dead Man came together.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
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Best known for his films Dressed to Kill, Blow-Out, Scarface and The Untouchables, Brian De Palma became part of the New Hollywood generation of the 1960’s and 70’s along with Martin Scorsese, Francis Ford Coppola and Stephen Spielberg, but it wasn’t until his 10th feature and breakthrough film, Carrie, that he mastered the visual grammar of suspense, psychological thriller and crime drama and developed an approach in representing sex and violence that began to define his style.
In this episode, picture editors Bill Pankow and Kris Boden, supervising sound editor, Dan Sable and Maurice Schell and re-recording mixer, Lee Dichter talk about collaborating with director Brian dePalma on films such as Blow Out, Scarface, The Untouchables, and Carlito's Way.
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