LONDON: Harbor Picture Company

HARBOR TO BUILD COMPLETE UK POST PRODUCTION STUDIO AT TURNMILLS IN LONDON, EC1

LONDON, -- FEB 2022: Harbor has broken ground on building a complete post-production studio spread across three floors in the Turnmill building in London’s Farringdon. The studio will offer end-to-end postproduction – dailies, offline editorial, picture finishing, sound post, ADR, and screening theaters. At the same time Harbor will continue to offer dailies and screening services from its Windsor locations to support clients based at the studios west of London.

Until recently, Harbor’s UK presence has offered dailies to a slew of productions including “The Midnight Sky,” “Venom 2: Let There Be Carnage,” “The Great Season 2,” “The Northman,” and “Invasion.”
Commercial Director for Harbor, James Corless, stated: “We are so excited to announce our continued expansion into the UK post-production market. When we started our dailies services in the UK, we already had a roadmap to reach this point and despite the many challenges presented in the last two years our commitment as a business to the UK creative industries has never wavered. We have always believed that HARBOR could bring something unique to London’s post-production offerings and I can’t wait for the clients to see what we have planned at Turnmills.”
Founder and CEO of Harbor, Zak Tucker, commented on this expansion: “Our expansion into London has always been a part of our mission to serve filmmakers through artistry and innovation. We have always wanted to offer artists and filmmakers the opportunity to collaborate across disciplines under one roof – and now that roof spans geographies. We’ve seen it already with our current footprint – dailies in London, color finishing in North America
– where we offered our clients a streamlined workflow for color grading and sound post from set to screen.
The original building was a warehouse that became the iconic Turnmills nightclub venue during the 1990s and early 2000s, which gained a reputation as a hub for modern dance music culture. The location’s history at the heart of the creative arts, will help set the tone for
For more information contact:
gabriela@harborpicturecompany.com and hannah.englander@harborpicturecompany.com

the next phase of Harbor’s expansion in the UK as it nurtures the next generation of filmmaking talent. Harbor’s new studio stands at the junction of the upgraded Farringdon station where the new east-west Crossrail will meet the upgraded north-south Thameslink and London Underground.
Harbor’s London studio is set to open Summer 2022. Contact James Corless (james.corless@harborpicturecompany.com) for more information.
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For more information contact:
gabriela@harborpicturecompany.com and hannah.englander@harborpicturecompany.com


Boilerplate

In 2012, The Harbor Picture Company was launched as an independent studio crafting premium content for the feature film, episodic, and advertising industries.
Founded as a home for moving image creativity at the forefront of the digital media
era, Harbor disrupted a fragmented approach to filmmaking by bringing together all production and post-production disciplines under one roof – a unified creative process

Since then, HARBOR has grown to a global company with operations in New York, Los Angeles, London, Chicago, and Atlanta. Relentlessly focused on talent, technical innovation, and protection of artistic vision, Harbor hones every detail throughout the moving image-making process: live-action, dailies, creative & offline editorial, design, visual effects, sound & picture finishing.
Notable feature and episodic post-production projects include, Venom 2: Let There Be Carnage, directed by Andy Serkis for Marvel and Sony, Lisey’s Story, created by Pablo Larraín for AppleTV+, Halston, created by Daniel Minahan and Sharr White for Netflix, The Humans, directed by Stephen Karam for A24, Birds of Paradise, directed by Sara Adina Smith for Amazon Studios, Hamilton directed by Thomas Kail for Disney, Passing, directed by Rebekah Hall for Netflix, Once Upon A Time in Hollywood, directed by Quentin Tarantino for Sony Entertainment, The Irishman, directed by Martin Scorsese for Netflix, Solo: A Star Wars Story, directed by Ron Howard for Lucasfilm, Ocean’s 8, directed by Gary Ross for Warner Bros., Arrival, directed by Denis Villeneuve for Paramount, Billions, created by Brian Koppelman, David Levien and Andrew Ross Sorkin for Showtime. HARBOR’s advertising brand clients include American Express, Nike, Adidas, Swarovski, Gap, Victoria’s Secret, Dior, Versace, Estee Lauder, Tommy Hilfiger, Ralph Lauren, Tide, Mercedes, Toyota, Walmart, Citibank, Eliquis, Humira, Sanofi, Bounty, Olay, Crest, and Cascade.
For more information contact:
gabriela@harborpicturecompany.com and hannah.englander@harborpicturecompany.com